History
Uncover the history of the 14th century Castle once the childhood home of Anne Boleyn, Anne of Cleves, Sir John Fastolf and William Waldorf Astor.
The Inner Hall
The Inner Hall was the Great Kitchen in the Tudor period. The Italian walnut panelling and columns were designed in 1905 by the sculptor William Silver Frith as part of William Waldorf Astor’s restoration of Hever Castle. The gallery above the hall was inspired by the rood screen at King’s College Chapel, Cambridge. The ceiling is in the Elizabethan style and incorporates the Tudor rose emblem.
The Moat Room
As part of the recent ground floor re-curation, the Moat Room has now been opened up to visitors.
Visitors will find out about visits from The Times staff and the Second World War effort. This will include footage from Hever Castle in 1943 from the Imperial War Museum.
The Drawing Room
This room once contained the domestic offices. In the Tudor period it was originally split into five rooms including the Pantry, Larder and Dairy, and in 1905 became the Drawing Room. This Drawing Room was designed and panelled by the architect Frank Loughborough Pearson for William Waldorf Astor. The oak panelling is inlaid with bog oak and holly and was inspired by the Elizabethan Inlaid Chamber at Sizergh Castle, Cumbria.
The Great Hall
In the 15th century this room was the Great Hall and was originally open to the roof rafters. The linenfold panelling, the ceiling and the fireplace surmounted by the Boleyn coat of arms were designed by William Silver Frith. The sculptor Nathaniel Hitch carved the Minstrels’ Gallery in 1905.
The Entrance Hall
The Entrance Hall was added to the 14th century manor house in the mid-16th century by Anne of Cleves. She also installed a large grand staircase that gave her access to the rooms above. Original timbers from the 14th century can still be seen in the earlier doorway, directly opposite the current entrance.
The Library
This room contained the administrative offices during the Tudor period and became the Library in 1905. The sabicu wood carvings are in the style of Grinling Gibbons. The bookcases are copied from those once owned by the diarist Samuel Pepys. The portrait above the fireplace shows Johann Jakob Astor, founder of the Astor family’s fortune in the late 18th century.
The Parlour
The Parlour used to be part of the Great Hall before Geoffrey Boleyn partitioned it off to create a separate room. It is a great example of the Tudor move away from more open plan, public living to a more private and intimate living arrangement.
The Nursery
Although it could also once have been an antechamber to the Great Chamber beyond, this room was likely the bedchamber of the Boleyn children, which is how we have chosen to present it. This room has a long myth (dating back to the 17th Century) of being Anne Boleyn’s bedroom. In c. 1505, when Thomas and Elizabeth and their children moved to Hever, Anne and Mary would have been of an age to share a bed like the canopied pallet bed we have had created for this room. George would have been much younger and would have started in a cradle before graduating to a pallet bed.
The Great Chamber
The very heart of the Boleyn’s family apartments. This room had many functions. It would have been used to privately entertain guests, to gather as a family in the day or the evening, for private conversations, for music and poetry reading, for writing letters or maintaining household accounts, and occasionally for dining.
The Best Bedchamber
This would have been the best of the Hever bedchambers. It was likely where Thomas and Elizabeth Boleyn would have slept, and likely where Anne stayed when she returned as an adult to escape the prying eyes and heat of court during the love scandal years of her relationship with the king c. 1526-1528. This is also likely where Anne stayed when she was at Hever recovering with the Sweating Sickness in the summer of 1528.
The Staircase Gallery
The Staircase Gallery was built over the Entrance Hall in the mid-16th century by Anne of Cleves to give access between the two wings of the house and her newly built Long Gallery upstairs.
King Henry VIII’s Bedchamber
It is traditionally believed that Henry VIII visited the Castle on several occasions during his courtship with Anne Boleyn, though it is doubtful that he ever spent the night considering the small size of the Castle and also his ownership of Penshurst Place, located a mere 3 miles to the north. The panelling in this room, excluding the section over the fireplace, dates to the 16th century. This room and the one next door were likely a servant’s dormitory, due to their location over the kitchens and associated rooms. The fireplace was added in the 19th century along with the large window.
The Book of Hours Room
Along with the room next door, now called King Henry VIII’s bedchamber, this room would once have also been part of the servant’s dormitory. The tower in the north-east corner was added by Thomas Boleyn, with its original use being a staircase to allow servants direct access to their living quarters from the kitchen. In c.1903 William Waldorf Astor created the oratory that we see today.
Anne Boleyn’s Book of Hours are currently on display in this room.
The Long Gallery
The Long Gallery was constructed in the 16th century by Anne of Cleves and extends across the entire width of the Castle. It was used for entertaining guests, taking exercise, and displaying art collections. The panelling dates from the 16th century. The ceiling is an early 20th century reconstruction in the Tudor style created by Nathaniel Hitch.
The new permanent exhibition in the Long Gallery depicts the saga from the Wars of the Roses to the Reformation through its art collection.
Through 24 original portraits hung in dynastic order the story of the Tudors is told starting from Henry VI and ending with Henry VIII.
The Astor Suite
This section of the Castle was once known as the Astor Suite and is dedicated to its more recent history. These suite of rooms will soon become a permanent exhibition space.
The Gatehouse
The tour of the Castle concludes in the oldest part – the Medieval Gatehouse. The Gatehouse would originally have housed three portcullises’ when they were not in use. Today, only two of the original three survive, with the central portcullis being removed in the 1830s by the then owner, Jane Waldo. This room does still contain the original garderobe, a 14th century toilet which would have emptied directly into the moat.
The Castle Courtyard
The Castle Courtyard is where the difference in age between the 14th century Gatehouse and timber-framed Tudor additions is the most obvious. The front portcullis is said to be one of the oldest working portcullises in the country and the drawbridge was reinstated by William Waldorf Astor and can still be raised!
